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This volume is part of a four-volume series about art and its interpretation in the 19th and 20th centuries. The books provide an introduction to modern European and American art and criticism that should be valuable both to students and to the general reader.
- Sales Rank: #366467 in Books
- Published on: 1993-02-24
- Original language: English
- Number of items: 1
- Dimensions: 10.07" h x .76" w x 7.67" l, 1.90 pounds
- Binding: Paperback
- 304 pages
Review
"Each of the four volumes, which can stand alone, is well produced, reasonably priced, and replete with high-quality black-and-white and color plates. . . . The set presents the consistency and wide appeal of a survey while at the same time providing individually focused and methodologically explicit essays in the form of chapters on specialized topics relating to limited periods of time. . . . The intellectual integrity that permeates each volume, the excellent production qualities, and the overall superb quality of this specialized survey of modern art-all recommend this set highly for academic collections and for large public library collections emphasizing modern and contemporary European and American art."-Choice (Choice )
From the Back Cover
This is the first in a series of four books about art and its interpretation from the mid-nineteenth century to the end of the twentieth. The authors seek to explain the most important issues confronting any study of modern art, without attempting exhaustive coverage. The books present a range of approaches characteristic of current art-historical debates. The first volume focuses on aspects of Realism, Impressionism and Post-Impressionism in Paris between about 1848 and 1900.
About the Author
Charles Harrison is professor of the history and theory of art at the Open University, UK. He is coeditor of "Art in Theory" and the author of numerous books, including" Essays on Art & Language" and "Conceptual Art and Painting," He is a major contributor to the Modern Art Practices and Debates series and to the four-volume series "Art of the Twentieth Century,"
Tamar Garb is Durning Lawrence Professor in the History of Art, and head of the History of Art History department at University College London. She has written widely on portraiture and the body in nineteenth century art and visual culture, on contemporary art and on issues of race and representation. Key publications include Bodies of Modernity: Figure and Flesh in Fin de Siecle France (1994) and The Painted Face: Portraits of Women in France 1814 - 1914 (2007). She was curator in 2008 of the exhibition Land Marks/ Home Lands: Contemporary Art from South Africa at the Haunch of Venison Gallery and of Gauguin: Maker of Myth at Tate Modern (2010) and The National Gallery of Art, Washington.
NIGEL BLAKE is Lecturer in Educational Technology at The Open University, Surrey, England.
Briony Fer, reader in history of art at University College London, is also the author of "On Abstract Art, "published by Yale University Press.
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